Rihanna Makes A Stop For Grub At McDonalds In London

First Published: December 28, 2011 1:46 PM EST Credit: Getty Premium LONDON, UK -- Caption Rihanna performs at Hallenstadion in Zurich, Switzerland on November 7, 2011 Rihanna was lovin it at McDonalds earlier this week in London. After performing for 20,000 fans at Londons O2 arena, Rihanna nipped into a Charing Cross, London McDonalds for a bite to eat. Britains The Sun newspaper had photographic proof of the star ordering her meal at the counter on Tuesday a pic taken by a fan who was also in line at the popular burger chain. Click HERE to see the photo. And, according to the restaurant chain patron, no one else figured out that the gorgeous gal in line was the We Found Love singer. I was the only one who realized it was her. She took her food, paid and slipped away no one batted an eyelid, the patron, who was not identified, told the paper. This isnt the first time Rihanna has hit the streets of London like an ordinary person. In October, she was spotted taking the subway to one of her concerts. Copyright 2011 by NBC Universal, Inc. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

RTL taps p Posch as COO

Pan-European broadcasting giant RTL Group has hired former ProSiebenSat.1 topper Guillaume p Posch as chief operating officer. Effective Jan. 1, p Posch will manage the organization strategy and business team of developers at RTL's headquarters in Luxembourg as well as oversee broadcasting within the Netherlands and Belgium in addition to radio in France. The Belgian native will even function as a person in RTL's executive committee alongside Boss Gerhard Zeiler, chief financial officer Elmar Heggen and Andreas Rudas, professional Vice president of regional procedures and business rise in central and eastern Asia and europe. Zeiler stated p Posch's new function could be "vital they are driving RTL Group's expansion in new companies and marketplaces. Guillaume includes a fantastic expertise in most facets of the worldwide broadcasting business, coupled with an in-depth knowledge of the technological challenges for that media industry within the digital age." P Posch started his career at Compagnie Luxembourgeoise p Telediffusion, which grew to become RTL Group in 2000, as assistant towards the controlling director before moving onto become mind of CLT's TV arm in French-speaking nations. From 1997 to 2003, he was deputy gm and programming director of Gallic feevee TPS before joining Munich-based ProSiebenSat.one in 2003, first as chief operating officer after which as chairman and Boss. He ankled in 2008 and it has since been an advisor to European and U.S. tv stations. Contact Variety Staff at news@variety.com

Anchor Bay shows 'Conviction'

Anchor Bay Films has acquired privileges to actioner "Maximum Conviction" starring Steven Seagal and Steve Austin. Deal, introduced Friday, is made with Current Pictures so they cover theatrical and home theatre privileges within the U.S. and Canada. "Maximum Conviction" has been shot in Vancouver, directed by Keoni Waxman and created by Seagal, Austin and Phillip B. Goldfine. Bill Clark, leader of Anchor Bay Entertainment, made the announcement. Seagal plays an old special-forces operative who now is employed by a private security firm managing the decommissioning of the old prison. Austin's character is allied with Seagal because the leader of his procedures team. The prison will be attacked by a top-notch pressure of mercenaries. Aliyah O'Brien and Steph Song portray two mysterious criminals. Benjamin F. Sacks, Scott Kennedy and Waxman are executive producers, with Binh Dang co-professional creating. Nicolas Chartier and Nadine p Barros of Current Pictures will represent worldwide privileges. Contact Dork McNary at dork.mcnary@variety.com

'The Artist' Tops Golden Globe Nominations

Nominees inside the television and film groups for your 69th annual Golden Globe Honours were introduced early Thursday morning within the Beverly Hilton Hotel by Sofia Vergara, Gerard Butler, Rashida Manley and Woodsy Harrelson with Hollywood Foreign Press Association leader Aida Takla-O'Reilly, one following day from the SAG Honours nominations were revealed.The Globes needed another turn from SAG, including beginners like Fox's newcomer series "New Girl" and Showtime's "Homeland" inside the honours mix, the 2nd that was shut through the Screen Stars Guild on Wednesday morning, although giving surprises noms to "Revenge" and USA Network's "Necessary Roughness."Round the film side, the HFPA preferred Oscar management like "The Artist," "The Descendants" and "The Help,In . while giving due notice to George Clooney's political thriller "The Ides of March," largely overlooked round the experts and honours circuit until recently.InchThe Artist" introduced film nominations with six, while "The Descendants" and "The AssistanceInch adopted with five. "The Ides of March," "Moneyball" and "Evening amount of time in Paris" each snagged four noms."Downton Abbey" and "Mildred Pierce" introduced the television side in nominations with four each, with "Boardwalk Empire," "Modern Family" and "Homeland" following close behind. Surprises incorporated recognition for Ryan Gosling for "Crazy Stupid Love" and "Ides of March," "Revenge" actress Madeleine Stowe and "Necessary Roughness" star Callie Thorne.The initial category introduced, best supporting actress in the series, miniseries or TV movie, begins Jessica Lange ("American Horror Story") against Kelly Macdonald ("Boardwalk Empire"), Maggie Cruz ("Downton Abbey"), Sofia Vergara ("Modern Family") and Evan Rachel Wood ("Mildred Pierce")."The Truly Amazing Wife's" Julianna Margulies, "Homeland's" Claire Danes, "The Killing's" Mireille Enos, Madeleine Stowe of "Revenge" and Callie Thorne from "Necessary Roughness" will compete for lead actress in the TV drama series.Original song for film nominees include "Hello Hello" from Gnomeo and Juliet, "The Keeper" from Machine Gun Preacher, "Lay My Thoughts Lower" from Albert Nobbs, "The Living Proof" within the Help and "Masterpiece" from W.E.Original score for just about any film nominees include "The Artist's" Ludovic Bource, Trent Reznor and Atticus Ross for "The Woman While using Dragon Tattoo," "Hugo's" Howard Shoreline and John Williams for "War Equine."Laura Dern of "Enlightened," Zooey Deschanel of "New Girl," Tina Fey of "30 Rock," Laura Linney of "The Big C" and Amy Poehler of "Parks and Entertainment" snagged noms for top comedy TV actress."The Flowers of War," "Inside the Land of Blood stream of Honey," "The Child Getting a bicycle,Inch "A Separation" and "The Skin Home IsInch will vie for top foreign film."Evening amount of time in Paris'" Woodsy Allen, screenwriters (Clooney and Grant Heslov) from "The Ides of March," Michel Hazavanicius of "The Artist," "The Descendants" (Payne, Nat Faxon and Jim Rash) and "Moneyball's" Aaron Sorkin and Steven Zaillian will compete for top script.Peter Dinklage of "Wager on Thrones," Paul Giamatti ("Too Big to Fail"), Guy Pearce ("Mildred Pierce"), Tim Robbins ("Cinema Verite") and Eric Stonestreet ("Modern Family") have acquired noms for supporting actor in the series, miniseries or TV movie. "30 Rock's" Alec Baldwin, "Californication's" David Duchovny, "The Big Bang Theory's" Johnny Galecki, "Hung's" Thomas Jane and "Episodes'" Matt LeBlanc compete for top comedy actor.Best comedy series nominees include "New Girl," "Modern Family," "Enlightened," "Glee" and "Episodes." Best TV movie or miniseries nominees include "The Hour," "Downton Abbey," "Cinema Verite," "Mildred Pierce" and "Too Big to Fail." Animated feature film nominees are "Arthur Christmas," "Cars 2," "Adventures of Tintin," "Puss in Boots" and "Rango."Nominees to find the best actor in the miniseries or TV movie include Hugh Bonneville ("Downton Abbey"), Idris Elba ("Luther"), William Hurt ("Too Big to Fail"), Bill Nigh and Dominic West ("The Hour"). Best actor in the drama nominees include Bryan Cranston ("Breaking Bad"), Kelsey Grammer of "Boss," Jeremy Irons of "The Borgias," Damian Lewis ("Homeland") and Steve Buscemi ("Boardwalk Empire"). "American Horror Story," "Boardwalk Empire," "Boss," "Wager on Thrones" and "Homeland" nominated for TV drama series.Jean Dujardin ("The Artist"), Brendan Gleeson ("The Guard"), Ernest Gordon-Levitt ("50/50"), Ryan Gosling ("Crazy Stupid Love") and Owen Wilson ("Evening amount of time in Paris") nominated for actor in the film comedy or musical. Supporting actress in the film include Jesse McTeer ("Albert Nobbs"), Jessica Chastain ("The AssistanceInch), Octavia Spencer ("The AssistanceInch), Shailene Woodley ("The Descendants") and Berenice Bejo ("The Artist").George Clooney ("The Descendants"), Leonardo DiCaprio ("J. Edgar"), Michael Fassbender ("Shame"), Ryan Gosling for "The Ides of March" and Kaira Pitt ("Moneyball") are nominated for top actor in the film drama.Comedy or musical film nominees include "The Artist," "Bridesmaids," "50/50," "My Week With Marilyn" and "Evening amount of time in Paris."Romola Garai, Emily Watson, Elizabeth McGovern ("Downton Abbey"), Kate Winslet ("Mildred Pierce") are the nominees for lead actress in the miniseries or TV series. Kenneth Branagh ("My Week With Marilyn"), Albert Brooks ("Drive"), Jonah Hill ("Moneyball"), Viggo Mortensen ("A Dangerous Method") and Christopher Plummer ("Beginners") nominated for supporting actor in the film.Woodsy Allen ("Evening amount of time in Paris"), George Clooney ("The Ides of March"), Alexander Payne ("The Descendants"), Michel Hazanivicus ("The Artist") and Martin Scorsese ("Hugo") for top director from the drama film.Glenn Close ("Albert Nobbs"), Rooney Mara ("The Woman While using Dragon Tattoo"), Viola Davis ("The AssistanceInch), Meryl Streep ("The Iron Lady") and Tilda Swinton ("We must Discuss Kevin") nominated for lead actress in the film drama. Jodie Promote ("Carnage"), Charlize Theron ("Youthful Adult"), Kristen Wiig ("Bridesmaids"), Michelle Williams ("My Week With Marilyn") and Kate Winslet ("Carnage") for film comedy or musical actress.Best film drama nominees include "The Descendants," "The Help,In . "Hugo," "The Ides of March," "Moneyball" and "War Equine."The Golden Globes will probably be be broadcast survive NBC coast-to-coast Jan. 15, 2012 with returning host Ough Gervais. Morgan Freeman can get the Cecille DeMille Award. The Hollywood Reporter

Matt Damon talks The Bourne Legacy

Matt Damon continues to be speaking concerning the approaching continuation from the Bourne franchise, and based on the guy themself, he will not be remotely associated with the project."No, I am not for the reason that one," he told MTV lately. "I've not even browse the script." However, he is doing appear to understand enough to describe the way the film will fit to the relaxation from the canon."My understanding is the fact that it's like should you think about X-Males after which Wolverine, the spin-off movie - just think about it backwards,Inch he described. "There is the Bourne character, after which there's this complete world. It does not preclude Paul Greengrass and that i from doing a different one.InchAnd Damon was just too pleased to give his successor, Jeremy Renner, the state press.InchWhen Paul Greengrass and that i were speaking concerning the character and perhaps carrying out a 4th one a few years back and perhaps passing them back to somebody, Renner was the man we spoken about. He's an apparent choice, because he's this type of good actor and may have a movie." "Individuals movies are actually tough, since you require the guy to become internally tortured about something, and Jeremy's the type of guy you can watch," ongoing Damon. "You can take away the action watching Jeremy just angst over something for 2 hrs, and it may be really compelling."The Bourne Legacy is launched within the United kingdom on 17 August 2012.

Digital reshapes prod'n budgeting, billing

Hugo shows how digital has transformed the development process. Holdouts and traditionalists might be adhering with 35mm film, however the digital revolution has triumphed.You most likely understood that, even when you do not enjoy it. What you might not have fully understood yet, though, is this fact revolution means a lot more than doing exactly the same things you've always done however with digital gear. This means altering how you consider your projects, how you do your projects, and, oftentimes, the way in which your projects is charged and taken care of.Consider Martin Scorsese's three dimensional pic "Hugo" and visual effects company Pixomondo.Within the analog world, f/x were "publish." The editor and director locked their cut and handed it to visual effects, wishing they'd don't have any regrets once they saw the end result. Changes late in the overall game were difficult and costly. Most visual effects galleries still charge on the flat-bid model remaining from individuals days, according to cost per shot.Digital editing is much more fluid, though. It begins earlier -- on some photos rough cutting begins before a scene is performed shooting -- and continues later. That change tossed the vfx business design for any loop. Because the cut is not locked early, vfx galleries are dealing with continuous adds and changes that were not within their flat bid.Scorsese and longtime film editor Thelma Schoonmaker like to test out their cut almost as much as the pic's delivery date. On "Hugo," they'd a brief publish-production period by their standards -- about 38 days rather than the 58-68 days they like -- along with a huge quantity of three dimensional visual effects to become completed. Adds and changes were inevitable.So Pixomondo emerged having a three-part solution, based on Ben Grossmann, the business's vfx supervisor around the pic. An on-set previs system let Scorsese and the camera team understand what would replace the greenscreen, so that they could frame accordingly and steer clear of "repair it in publish" moments. Then Pixomondo provided temporary vfx for that edit, so Scorsese and Schoonmaker often see what can maintain the frame because they did their editing.The 3rd part and many counterproductive part, states Grossmann, was "save all of your bullets until they are really helpful."Quite simply, wait as lengthy as you possibly can to show temp vfx into finals."If you are accustomed to the concept that the visual effects are surrended towards the visual effects company after editorial, your instinct is, the moment you've something, get focusing on it. However when visual effects is before or synchronised with editorial, you need to switch your mindset. You won't want to get focusing on something until you are certain it's within the movie." On "Hugo," they understood there is a strong possibility that any vfx shot -- a simple wire removal -- would move, or start and finish inside a different place, or perhaps be changed altogether having a different take. To complete such work early would throw away cash and assets. So that they only finished vfx shots once the team around Scorsese and Schoonmaker, especially assistant editors, signaled that something appeared locked."It scared the shit from many people on 'Hugo,'?" states Grossmann. There have been tests with temp effects prior to the official delivery date. But ultimately it labored.Furthermore, Pixomondo did not use flat-bid prices. Rather, the store started costs for construction of digital sets, as with physical production. Then, once individuals digital sets were built and lit, the price of "shooting" in it, despite adds and changes, might be relatively modest: a couple of times of labor and goods like computer time.Stated Grossmann: "A set bid is dependant on the premise guess what happens you would like and that i understand what I must get it done with, in order to provide you with a total price estimate on which it takes. Within the new model I must begin to adapt that to some time-and-materials model much like anything else in filmmaking."Though this model has been utilized in TV, Grossmann stated movie producers are usually skeptical from it. By experience, they learn how to negotiate lower a set bid. However they have to either find out more about vfx or trust their vfx producers more.Galleries and production companies, however, love the non-flat-bid approach, stated Grossmann, "since the filmmaker will get what he wants, that is with additional control and interaction and, in some way -- they do not quite know how -- they get cheaper costs."For visual effects firms, that have been hunting for a new business design because the old one creaks under the stress of short posts and late changes, it is a mixed bag."The one thing that (the vfx business) is nervous about is, 'Well the main one positive thing was the edit could be locked and that we would stop dicking around by using it.A?Inch stated Grossmann. "But you need to purchase the whole factor part. You cannot say, 'We desire to be involved, and that we would like you to possess all of this control and interaction, but we would like you to definitely lock the cut blind and hands it to visual effects."BITS & BYTES:The Mill has introduced its vfx administrators for many of their approaching projects. Nicolas Hernandez is vfx supe on "Snow Whitened and also the Huntsman." Paul O'Shea is vfx supervisor on "The Odd Existence of Timothy Eco-friendly." Sara Bennett may be the Mill's vfx supe on "Dredd" Jeremy Hattingh was on-set vfx supe. Sensio has hired Diana Cantu as Vice president, business development, live three dimensional. ... Society of Cable Tv Engineers (SCTE) has drawn on Mike LaJoie, executive Vice president and CTO for Time Warner Cable, as part of is board for that 2011-2012 term. ... The Entertainment Technology Center at USC is seeking a brand new executive director. Former executive director David Wertheimer has become leader, digital, at Fox Broadcasting. ... Worldwide visual effects studio Pixomondo has hired Simon Mowbray as creative director for advertisements. Mowbray depends from La.Warner's "A Virtual Detective: A Game Title of Shadows," is going to be proven with D-Box motion seats in choose theaters worldwide. Previous Holmes pic seemed to be proven with D-Box. ... The Audio Engineering Society provides a brand new technical committee to examine audio reproduction for digital cinema and television. Committee will come across in L.A. at the begining of 2012. Committee contact John McCarty observed there's no standard for digital cinema seem performance: "Basically, what's recorded electronically within the studio doesn't seem exactly the same in the theatrical finish," he stated. The AES hasn't typically addressed theater seem.Harkins Theaters, the biggest privately owned cinema chain in The United States, has pacted with Christie in excess of 400 Christie Soliaria Series 2 projectors and it has activated to Christie's Virtual Print Fee program. Harkins has 420 screens ... New Orleans-based Southern Theaters, which works the AmStar and Grand Theaters chains, has introduced intends to go all-digital with Christie too, using Solaria projectors. Plan requires Southern to purchase 140 Christie projection systems as well as for almost all their theaters to become 100% digital by year's finish ... Quebec's Movie theaters Guzzo can also be going all-digital with Christie, purchasing digital 4K projectors for 27 screens. Change to digital will be performed by April 2012. ... Christie's CP4220 and CP4230 d-cinema projectors happen to be licensed DCI compliant. ... Cigital Cinema Ltd. has installed Cinedigm digital cinema software and named Cinedigm their preferred supplier to handle deployment throughout Ireland.Mei Ah Entertainment Number of Hong Kong has selected RealD three dimensional for 100 screens on its circuit in China. MAEG intends to expand with 50 new movie theaters and 500 new screens in China within the next 5 years. ... RealD was selected for that November. 28 Royal Film Performance U.K. preem of Martin Scorsese three dimensional pic "Hugo." ... Legend3D was the main three dimensional conversion vendor on "Hugo." Vintage 2D material was transformed into stereocopic three dimensional for that pic. Original footage was shot with three dimensional cameras. ... Hastings Museum of Natural and Cultural History in Nebraska has selected RealD three dimensional because of its giant-screen digital theater. ... The Wildlife Experience's Extreme Screen Theater in Colorado has additionally selected RealD three dimensional ... Religious broadcaster Trinity Broadcasting Network has released a VOD portal supplying programming across TV, Internet and mobile products. the "iTBN" platform uses technology from Key Code Media ... Technicolor created the newest Barbie dolls DVD feature: "Barbie dolls: An Ideal Christmas." Technicolor provided services including pre-production, CG animation, and DVD menus. It isn't the very first Barbie dolls pic created by Technicolor additionally they created a five-minute laffer about Barbie dolls going camping together with her siblings.Dolby continues to be honored having a Hollywood Publish Alliance Engineering Excellence award because of its PRM-4200 Professional Reference Monitor. Luxurious has introduced it's decided to buy "mutliple models" of this monitor. ... Cinedeck and The new sony have teamed to provide a rebate on The new sony XDCAM EX and F3 cameras when bought having a Cinedeck EX recorder. Rebate is nice within the U.S. only and runs with the finish of 2011.Publish facility Cineworks has opened up a satellite office at Millennium Galleries in Shreveport-Bossier City, Louisiana. New facility has digital dailies and capability to upload digital footage towards the Cineworks HQ in New Orleans. ... Hollywood-based publish facility Cinelicious has added visual effects creative and finishing services to the choices.Film Factory used Image Systems Nucoda certifying and learning gear to complete "Immortals" for Relativity. ... CBS News has bought another Nucoda for his or her NY facility. ... Nvidia has bowed its Maximus technology, which allows work stations concurrently perform complex analysis and visualization. Workstation producers including Hewlett packard, Dell, Lenovo and Fujitsu happen to be integrating the brand new tech... Look Forex used Nvidia GPUs to energy their digital vfx focus on "The Muppets."NewTek has revealed version 11 of LightWave. ... Luxion has launched KeyShot3. ... Contact David S. Cohen at david.cohen@variety.com

Shakespeare story gets redo from Arc

'Gnomeo and Juliet'In retelling Shakespeare with lawn ornaments, the big challenge was "finding a way to blend this classic story in a format that didn't have a tragic ending, yet still entertained and got the point across about prejudice and feuding families, all done with garden gnomes and using a score by Elton John," says director Kelly Asbury, who also co-wrote the screenplay."Technically, the believability of the gnomes and their world was very important to me, and our team at Arc Animation in Toronto did all the texturing of the gnomes and the animation."Lighting the world and all of the environments was also a challenge, with the goal being to make everything look as realistic as possible.According to Asbury, a pleasant surprise was "just how big and crucial a role all the sound work played in creating this totally believable world. Glenn Freemantle and his team worked diligently during our post production in London to contribute a sound that perfectly captures the heightened reality that these gnomes live in."Asbury credits the film's $100 million domestic success to all the work the team put into the script."As always, the story is the main challenge, but how you tell it and the manner in which you tell it depends greatly on the technical aspects. This took five years from when I began," he says."There's already been talk at Rocket Pictures, Elton John's London film company, of doing more projects in this vein, building on what we've now developed. I'd love to see the further adventures of these characters." EYE ON THE OSCARS: ANIMATION Animated pics boost property valuesWhether working on a shoestring hand-drawn project or pushing the limits of computer-generated technology, this year's offerings overcame major challenges in bringing their animated visions to screen. Here's how:'Arthur Christmas' | 'Chico and Rita' | 'Gnomeo and Juliet' | 'Rango' | 'Wrinkles' | 'Rio' Contact the Variety newsroom at news@variety.com

Smug New Yorker Critic Somehow Manages to Compel Sympathy For Scott Rudin

This kind of silly public skirmish seems a little too convenient to just naturally occur in a week when The Artist and War Horse are dominating awards chatter, but either way, stroppy megaproducer Scott Rudin is furious with The NYer for breaking a review embargo on The Girl With the Dragon Tattoo. Who can blame him, especially since critic David Denby — along with the rest of the members of the NY Film Critics Circle who saw the film before voting last week — signed an agreement assenting to hold his review until Dec. 13 at the earliest? Or maybe the more important question is: Why should you care? I can think of a few reasons, chief among them being that Denby’s excuse for breaking his word is hilarious. The Playlist got a hold of an e-mail exchange between Rudin and Denby, which really must be read to be believed — particularly this passage from Denby (who, incidentally, gave the film a rave): The system is destructive: Grown-ups are ignored for much of the year, cast out like downsized workers, and then given eight good movies all at once in the last five weeks of the year. A magazine like The NYer has to cope as best as it can with a nutty release schedule. It was not my intention to break the embargo, and I never would have done it with a negative review. [T]he early [NYFCC] vote forced the early screening of Dragon Tattoo. So we had a dilemma: What to put in the magazine on December 5? Certainly not We Bought the Zoo, or whatever it’s called. If we held everything serious, we would be coming out on Christmas-season movies until mid-January. We had to get something serious in the magazine. So reluctantly, we went early with Dragon, which I called “mesmerizing.” I apologize for the breach of the embargo. It won’t happen again. But this was a special case brought on by year-end madness. In any case, congratulations for producing another good movie. I look forward to the Daldry. Best, David Denby “Best,” indeed! I never thought it could be done, but for once — and again assuming this isn’t all some manufactured controversy (which The NYer historically would be above, but at this point who fucking knows) — I actually feel pangs of sympathy for Scott Rudin. A few thoughts for the six or seven of you who cared enough to read this far: 1. Comparing sophisticated adult filmgoers who face a prestige glut in December to “downsized workers” is one of Denby’s more hobbled (not to mention breathtakingly tasteless) metaphors of the year — and this is a guy who regarded a film last winter “like a butterfly half out of its cocoon, emerging with many fond looks back to the protective walls.” Congrats, I guess! 2. “A magazine like The NYer has to cope as best as it can with a nutty release schedule,” Denby writes. Memo to Denby: Everyone has to cope with this schedule — critics, editors, studios, theater owners… It’s a challenge that requires strategy and choices. That’s what professionals do, not pledge one thing and change direction to suit themselves. I have a feeling that to the extent they even care, readers will understand. But you tell me, readers. 3. Moreover, since when does “a magazine like The NYer” sign NDAs prohibiting it from covering something? I’d love to see the White House try that with Seymour Hersh. 4. “What to put in the magazine on December 5? Certainly not We Bought the Zoo, or whatever it’s called.” LOLOL. 5. For Christ’s sake, people, stop calling films “the Daldry” or “the Fincher” or whatever. It’s such an obvious, pretentious affectation — like an annoying auteurist equivalent to being addressed as “bro” — and everyone who practices it knows it. The title of the film is Extremely Loud and Incredibly Close; just use it. Either way, there will be no “the Daldry” for Denby, at least if Rudin upholds his own vow, also obtained by The Playlist: I could not in good conscience invite you to see another movie of mine again, Daldry or otherwise. I can’t ignore this, and I expect that you wouldn’t either if the situation were reversed. I’m really not interested in why you did this except that you did — and you must at least own that, purely and simply, you broke your word to us and that that is a deeply lousy and immoral thing to have done. … You will now cause ALL of the other reviews to run a month before the release of the movie, and that is a deeply destructive thing to have done simply because you’re disdainful of We Bought a Zoo. Why am I meant to care about that??? For the record, this is not the crisis that Rudin claims it is — there will not likely be a torrent of other reviews a month before Dragon Tattoo, and even if there were, “deeply destructive” implies strong dislike across the board — which, as word gets around, apparently couldn’t be further from the reality of many reviewers and other insiders’ perspectives. Nevertheless, Denby’s smug entitlement is of a rare variety that outsizes even Rudin’s own. Pretty impressive, I have to say. And in any case, as much as we hate to make you “downsized workers” out there wait, Movieline will wait to publish its review closer to the release of the film. Hang in there! · ‘Dragon Tattoo’ Producer Scott Rudin Replies To David Denby’s Upcoming NYer Review Embargo Break [The Playlist]

Mike Leigh Named Berlin Festival Jury Leader

BERLIN - Acclaimed British film director Mike Leigh will be the Jury Leader for your 62nd Berlin Worldwide Film Festival, which runs Feb. 9-19, 2012. Leigh, which has collected a Palme d'Or in Cannes, a Golden Lion in Venice and seven Oscar nominations within the 40-year film making career, will oversee the world jury that hands out Berlin's Golden and Silver Bears within the 62nd Berlin fest.our editor recommendsQ & A: Mike LeighGrief: Theater ReviewRelated Subjects•Berlin Worldwide Film... PHOTOS: 61st Berlin Film Festival Buzz Films Leigh's debut feature, Meantime opened up in Berlin's Forum sidebar in 1984 but he didn't return until 2008, when Happy-Go-Lucky bowed competing, winning the most effective Actress prize for star Sally Hawkinsand beginning her worldwide career. Leigh is a among Europe's finest living company company directors. His last feature, Another Year, opened up in Cannes this season and acquired Leigh an Oscar nomination for top Original Script. The 57-year-old director is constantly concentrate on stage. His latest play, Grief, is presently being completed across Britain. Related Subjects Worldwide Berlin Mike Leigh