Parks and Rec: Kathryn Hahn to Recur Louis C.K. Returning

Kathryn Hahn Kathryn Hahn can be a free agent forget about. Under two several days after NBC axed her newcomer comedy, Free Agents, Hahn has nabbed a recurring role on Parks and Entertainment just like a political operative, TVLine reviews. NBC cancels Free Agents Hahn's character works well with another candidate inside the race for City Council, which includesLeslie (Amy Poehler).Furthermore, Parks and Entertainment may also be getting backLeslie's cop ex-boyfriend, Dork, carried out by Louis C.K. The Louie star came out in many episodes at the beginning of Season 2 before his character was gone to live in Hillcrest. Watch full cases of Parks and Entertainment Hahn's first episode will air noisy . 2012, as will Louis C.K.'s return. Are you currently presently excited to find out Hahn and Amy Poehler go in person? Are you currently presently glad Louis C.K. is coming back?

Regis Philbin Plotting TV Return With Family Talent Show

Regis Philbin A lot to take a rest. Regis Philbin has already been planning his next TV project under two days after departing his longtime publish on Live! With Regis and Kelly. Social Energy Ratings: Who should replace Regis Philbin? "We are considering a show that's kind of a talent show, however it involves everyone,Inch Philbin, 80, informs The NY Publish. A household competition "is one thing new within our business. It will likely be on primetime if this happens." Philbin lately created RAF Productions with former Live! director Craig Glazer, City Island executive producer Edward Walson and Cort Cassidy. The longtime TV personality also stated he's been contacted about other projects, for example returning the range show format. "[An] entertainment kind of show would attract me," Philbin stated. "Almost a range show. Within our business you won't want to say variety since it is frowned upon now, but something with those who are carrying out." Regis Philbin discloses he's departing Live! over contract issues Philbin reiterated again that he's not upon the market, he's just "moving forwardInch after departing Live! "It had not been that ABC did not attempt to negotiate beside me,Inch he stated. "In fact within this business, sometimes you do not enjoy the terms which means you just leave knowing that.Inch

Kenneth Branagh on My Week With Marilyn, His Brush With Olivier, and the Curse of the Difficult Actor

As arguably the film world’s closest contemporary equivalent to Sir Laurence Olivier, the classically trained, commercially adventurous actor/filmmaker Kenneth Branagh makes an ideal candidate to play the great man in this week’s My Week With Marilyn. Branagh inhabits Olivier at a rare career ebb: Flirting with irrelevancy in the decade after his Oscar-winning Shakesperean triumphs Henry V and Hamlet, the legend enlisted Marilyn Monroe as his leading lady in his screen adaptation of Terrence Ratigan’s play The Prince and the Showgirl. He also brought aboard a young assistant named Colin Clark, whose dual memoirs of the period (The Prince, the Showgirl, and Me and My Week with Marilyn) provide the framework for screenwriter Adrian Hodges and director Simon Curtis to explore Olivier’s vexation with the troubled actress (played exquisitely by Michelle Williams) against the backdrop Clark’s infatuation with her. Branagh spoke recently with Movieline about the responsibility to playing an icon, salvaging good work from a bad relationship, and his cherished counsel from Olivier himself. So you were onstage on Europe when Marilyn has had its coming-out party in the States. Were you keeping tabs on the response? Yeah, to some extent. I was very interested, of course. Simon showed me an early cut, and I was very taken with it. One of the things that struck me about it that I was surprised to find was so powerful — for me, anyway — was this sense of innocence and delicacy and fragility in the world. It did somehow have kind of a heartfelt [sensibility]— light-seeming, but leaving a greater sort of residue after you’ve seen it. It’s kind of an elegy for this lost world where this proto-supercelebrity, Marilyn, is offered a little parenthesis of potential freedom. But the world of red telephone boxes and bobbies on the beat and people so well-turned-out… I mean, when I look at pictures of the time of Olivier and Vivien Leigh, they really did dress like royalty. They wouldn’t leave a stage door after a show unless they were perfectly turned out. It’s Old Hollywood. Nobody was interested in grungy-looking actors. And although, as the world moves on, there’s something in the film that sort of mourns for the era of people keeping up appearances — making an effort, etc. There’s something touching about it. Anyway, I was struck by that quality — that affection inside the movie. Being an actor and a student of acting would probably provide a lot of background on Olivier in itself. How much more did you feel like you needed to know beyond that? How much research did you feel like you needed to do, and how much of your own touch did you want to bring? I went absolutely encyclopedic with it — enjoyably. I got a hold of everything that I could find that he wrote; his autobiography, Confessions of an Actor, and his other book, On Acting, as he calls it. I read numerous biographies on him, including the latest ones. And then I pulled out everything that I could that was on video or on tape or on the Internet. There’s this fascinating documentary he does with Kenneth Tynan in the 1960s called Great Acting. It’s on… great acting. There’s a fascinating interview with Michael Parkinson, a great British interviewer, from the late ’60s, quite specifically about the Marilyn incident. He’s quite candid about his own frustration and his inability to get to her — to either understand her, appreciate her, know how to direct her, talk to here or indeed compete with her, feeling as he did that she sort of walked off with the movie. She knew how to do it, and in some strange way, he didn’t in that circumstance. So I threw myself at all of that, and indeed, with that information, I went back to Adrian Hodges — the screenwriter — and David Parfitt — the producer — and Simon Curtis, of course, who were very helpful about wanting to further flesh out what appeared to be this pivotal moment of self-knowledge for Olivier. Again, he was quite candid about being associated with Marilyn at this time — when she was the biggest movie star in the world — would renew him, as he says in the movie. It was a period where he was very sensitive about being out of touch. Revered, but feeling like he was about to go into a museum, he was so “great.” He wanted to be young and edgy and cool, and he was about to be, because after this movie he did The Entertainer, which was part of a New Wave of British drama. And he’s wonderful in it. So for me it was trying to find everything that one could about someone so that a couple things could happen at once: You could see why he was the great actors with the clothes and look and they style and affectation of voice and movement, but also, there was this sort of hunger and anger underneath as well. As a director, have you ever encountered an actor you couldn’t get to? Yes, I have. What do you do? I’ll tell you what it is that I understood about Olivier: It’s very unmanning. It really leaves you literally struggling for words. You’re in a different kind of vulnerability yourself — you’re certainly under pressure. There’s a producer, and there’s a budget, and there’s a clock ticking. And although you would love every encounter on the set to be one where people explore, and it’s beautiful and a wonderful creative adventure… That’s all true! But we need to get it done by midday! They say about moviemaking that the first thing in the morning, you’re making Citizen Kane. By lunchtime, it’s Starsky and Hutch. And by the end of the day, it’s Celebrity Squares. Anything to get it in the can by the end of the day. And when you get an actor — or in my particular case, an actress, not in a leading role but in an important supporting role, and this was some years ago — like this, it’s very, very uncomfortable. There’s no shared language. There’s trickery and a sort of obfuscation and obstructionism going on. It really leaves you between a rock and a hard place as a director: If you see the end result is not what you want or what you think the piece deserves, but you don’t know how to get there, and from the other side, people are saying, “It’s terrible, but there’s no time to do anything about it.” But you can’t make that person angry because if they leave, then you’re in these positions where your halfway through, and what are you going to do? Shoot the movie again? Not in my position, you’re not, because it’s going to be another couple million dollars. Nobody’s going to write that check; they’re going to say, “Just make it work.” So it can become a sort of agonizing experience. I didn’t particularly find an answer; I just found that it was imperfect. So I found sympathy with Olivier. I didn’t find myself frustrated, but I did find myself blocked — completely blocked — in the communication department in a relationship that totally depends on it. And you realize, when that happens for that brief period you’re shooting a movie and that brief period during the day when you’re shooting a scene, that once it’s gone, there it is — being not very good on film forever. That haunts you. Ugh. Yeah, that really keeps you up at night, because it’s always such a precious experience to get a film together at all because it’s so costly and so crazy. So when it’s slightly imploding under your very gaze, it’s tricky.

Will Muppets Create a TV Comeback? NBC Buys Human-Puppet Comedy From Jim Henson Company

Jim Henson It is a good week to become a puppet. 2 days following the Muppets designed a surprise appearance on Saturday Evening Live and 2 days prior to the discharge of their latest feature film, NBC has purchased a hybrid human-puppet comedy in the Jim Henson Company, Deadline reviews. VIDEO: The Muppets crash Jason Segel's SNL party The Brand New Nabors follows an individual family and also the complications that ensue from living across the street from a household of puppets. John Hoffman (Afterlife) and 30 Rock executive producer John Riggi will write the script, that they developed with Lisa Henson and also the Jim Henson Company. NBC most particularly found positive results mixing puppets and humans using the 1980s family comedy, ALF. Would you like to see puppets back around the small screen?

Will.i.am to Headline Beijing Education Concert

Black Eyed Peas' singer will.i.am and bandmate apl.p.ap, John Legend and also the Bucky Manley band in a Beijing concert 12 ,. 17 made to encourage study abroad programs in China, the music artists introduced Monday in La.our editor recommendsWill.i.am, U.S. Condition Dept. to Back Beijing ConcertWill.i.am debuts Obama song The concert, which assists the U.S. Condition Department's 100,000 Strong Initiative to transmit that lots of American students to review in China, could see a look and feel by fighting techinques actor and sometime-singer Jackie Chan, whose Jackie Chan Charitable Foundation Beijing is co-organizing the show. Monday's announcement pointed out the participation of "other prominent Chinese and U.S. artists," only named the Peas' people, Legend and Bucky Manley. No venue was specified, although among Beijing's former Olympic venues could play host. Tickets were this is not on purchase in Beijing by Tuesday mid-day local time. The Black Eyed Peas have carried out like a unit two times formerly within the Chinese capital. Charitable organisation concerts possess a rocky history in Beijing if not organized directly through the Chinese government. The Show of Peace concert, that was to feature Brought Zeppelin's Jimmy Page and Aerosmith's Joe Perry, was initially postponed from April 2010 after which canceled. Other recent canceled Beijing concerts by major artists incorporate a March 2009 show by Oasis, because of a previous Noel Gallagher appearance in a professional-Tibetan independence gig, as well as an March. 2008 performance by Linkin Park, because of injuries to singer Chester Bennington. In Beijing, the concert has been co-organized by People in america Marketing Study Abroad, which supplies scholarship grants to inner city students. It's based on both U.S. Condition Department and La Mayor Antonio Villaraigosa. Related Subjects Black Eyed Peas John Legend Will.i.am Worldwide Asia

'The Iron Lady' Star Meryl Streep is Under-Appreciated... Yeah, You Heard Me Right! (Analysis)

It's tough to reason that the actress Meryl Streep -- that has received 16 Oscar nominations (a lot more than every other man or woman ever), a couple of which led to wins -- is under-appreciated through the Academy. That, however, is strictly things i've felt the need to complete since screening the most recent film by which she stars, Phyllida Lloyd's The Iron Lady, the 2009 week.our editor recommendsMeryl Streep's 'The Iron Lady' Sparks Internet Craze Following Early ScreeningsMeryl Streep Debuts New 'Iron Lady' Poster and Trailer in U.K. (Video)Meryl Streep: 5 Items To KnowMeryl Streep Movie 'The Iron Lady' to spread out 12 ,. 30 PHOTOS: Hollywood's 10 Greatest-Compensated Stars If anybody needed a indication that Streep may be the world's finest living actress, this performance could it be. She transforms -- body, soul, and, of course, accent -- into former British pm Margaret Thatcher, who's not quite history's most pleasant or supportive character, but who's humanized through the actress for an extent which i i never thought imaginable. It's almost near the indicate discuss the film overall, since Streep's performance so rules it. Sure, Alexandra Roach is very good because the more youthful version of Maggie Jim Broadbent does his usual solid character act as the older version's put-upon husband Denis Thatcher and Alexander Mind is perfectly fine as Thatcher's political ally-switched-challenger Geoffrey Howe. However the simple fact is the fact that there's one reason to determine The Iron Lady: it features the very best actress that people have working towards the top of her game. The question, obviously, is whether or not that's adequate for that Academy, that has, on 14 occasions, nominated Streep but selected to recognition another person -- including three from the last 5 years, despite the fact that she was perfectly worth victory on her remarkable operate in The Demon Wears Prada (2006) and/or Doubt (2008) and/or Julie & Julia (2009). It's nothing like the performances that beat hers -- Helen Mirren within the Full (2006), Kate Winslet within the Readers (2008), and Sandra Bullock within the Blind Side (2009) -- were substantially better. (Actually, I'd reason that only Mirren's even may have been worthier.) Also it's nothing like Streep is unliked -- actually, she appears to become admired and revered by her peers. (Indeed, both Winslet and Bullock particularly acknowledged her in the podium when delivering their Oscar acceptance speeches, with Winslet saying, "I believe all of us can't believe we're inside a category with Meryl Streep whatsoever!") So how do you explain it? PHOTOS: Stars Who've Performed Political figures Here's my theory: many people -- including Academy people -- aren't exactly on their Oscar stats. The things they learn about Streep is the fact that she appears to become nominated each year, which she doesn't campaign to win as strongly as her rivals, so, naturally enough, they conclude that they continues to be correctly taken proper care of through the years ("She should have six Academy awards right now!Inch) and isn't especially hungry for more recognition ("For the reason that situation, let's give another person an opportunity this time around!"). The cold, hard details, however, tell another story, and really should be noted by voters henceforth. Think about the following amounts... 29 -- That number it's been since Meryl Streep last won an Oscar -- quite simply, a complete generation of individuals, including myself, came old without ever getting seen her honored on her work through the Academy. 3 -- The amount of best actress Academy awards that Katharine Hepburn -- the actress to whom Streep is most frequently in comparison and also the only other one that ever appears to top lists from the finest movie stars of-time -- had won when she was Streep's current age (62) Hepburn would go onto win another to create her total to four. 1 -- The amount of best actress Academy awards that Streep has won. It came for Sophie's Choice (1982) her first Oscar, which came 3 years earlier for Kramer versus. Kramer (1979), was for the best supporting actress. To place things in certain perspective, this is actually the same quantity of best actress Academy awards which have been won by Cher, Gwyneth Paltrow, Jennifer Aniston, and Reese Witherspoon. 2 -- The amount of best actress Academy awards that Hilary Swank has won. In mentioning this disparity I am talking about no disrespect to Swank, who's an awesome actress in their right... however i believe that even Swank would acknowledge it's a little screwed up that they has two times as numerous best actress Academy awards as Meryl Streep. Meryl Streep Academy awards

HBO And BBC Developing Wolf Hall Mini With Tinker Tailor Soldier Spy Writer

EXCLUSIVE: In their latest collaboration, HBO and BBC are developing a miniseries adaptation of the award-winning historical novel Wolf Hall by Hilary Mantel. Tinker Tailor Soldier Spy co-writer Peter Straughan will make his TV debut writing the four-part miniseries, which is being eyed for HBO and BBC2. It is being produced by UK indie Company Pictures (Shameless) and U.S.’ Playground Entertainment, the company of former HBO Films president Colin Callender. Mantel’s 2009 novel Wolf Hall, which won the Man Booker Prize, the UKs highest literary award, is set in Medieval England. It is a fictionalized biography chronicling the rise to power of Thomas Cromwell in the court of King Henry VIII. Cromwell, one of the strongest advocates of the English Reformation, helped get an annulment for Henry VIII’s marriage to Catherine of Aragon so he can marry his mistress Anne Boleyn. Cromwell eventually fell out of favor with the king and was executed. On the showtime series The Tudors, also set during the reign of Henry VIII, Cromwell was played by James Frain. In addition to co-writing this year’s Oscar contender Tinker Taylor Solider Spy, an adaptation of John Le Carres novel, Peter Straughan’s feature writing credits include The Debt and The Men Who Stare At Goats.

R rating upheld for 'The Possession'

The Motion Picture Assn. of America's rating appeals board has upheld the R rating given to Lionsgate's horror-thriller "The Possession." The Classification and Rating Administration had assigned the movie an R for "violence, terror, and disturbing images" in October, prompting the minimajor to appeal. Jeffrey Dean Morgan is toplining "The Possession," formerly titled "Dibbuk Box," with Sam Raimi and Rob Tapert producing via their Ghost House Pictures shingle. Danish director Ole Bornedal directed from a script -- inspired by true events -- by Juliet Snowden and Stiles White. Morgan stars as a recently divorced father whose youngest daughter becomes strangely connected to an antique wooden box she purchased at a yard sale. Lionsgate originally had slotted "The Possession" for a January release but has moved the pic to Aug. 31. Contact Dave McNary at dave.mcnary@variety.com

Ough Gervais & NBC Appear Ready For 3rd Golden Globes Stint: And Can HFPA Agree?

Because the lengthy courtship and quick departure of Oscar host-to-be Eddie Murphy demonstrated now, appropriate hosts for major honours shows aren’t found easily. Therefore the Hollywood Foreign Press Association might want to keep two-time Golden Globes host Ough Gervais. NBC has always wanted him back and Gervaisin Augustannounced the network had asked him to come back because the Golden Globes host. He confirmed that to gain access to Hollywood tonight, singling the HFPA because the holdout. I believe NBC wants me to get it done, but [the] Hollywood Foreign Press have to want me too, he stated. Its their event. Its their party. The edges are speaking, although informally, and Gervais lately dined with reps for NBC and HFPA in Paris. However with only 2 several weeks to visit before the The month of january twelfth event, the HFPA has to make its move soon before Gervais changes his mind again. Or will get asked through the Academy Of Movement Picture Arts & Sciences for that Oscar hosting gig that's also vacant. Gervais tonight stated (maybe joking, not) he could host both honours occasions for a cheap price cost. There's also the problem of potential celebrity defections if Gervais returns as host, as Hollywood star energy continues to be the Globes greatest draw. I hear that to date there's just one A-lister who's threatening to not attend if Gervais emcees. Obviously, the cant forget just how much his second stint as Globes host this past year stirred the pot with blunt one-inserts focusing on large-title celebs attending the big event as well as the questionable HFPA itself sponsoring the show. Later, the HFPA reps distanced themselves from Gervais, stating that he went too much and entered the road. That residual bitterness appears to become the obstacle to some formal offer for Gervais to come back like a Golden Globes host. The British comedian was initially signed by NBC to some 2-year deal. The network could revert towards the Golden Globes longtime no-host format but does not wish to. That practice found an finish when Gervais was hired. Gervais in the beginning ignored the potential of a 3-peat moss soon after his second time hosting. But he's been progressively starting to warm up towards the idea. In most recent interviews, Ough has proven an eagerness to come back as emcee. He confirmed to gain access to Hollywood tonight he hasnt been formally offered the task yet but accepted that the thought of returning behind the podium is extremely tempting.

Jessica Chastain Princess Diana Movie May Happen and More in the Morning Grind

2011 has had no shortage of It-Girls (come on down, Elizabeth Olsen and Felicity Jones), but none can compare to Jessica Chastain. The possible Oscar nominee has featured in five films already this year ('The Tree of Life,' 'The Debt,' 'The Help,' 'Take Shelter' and 'Texas Killing Fields') and still has 'Coriolanus' coming in December. Busy! Chastain is poised to capitalize that fame in the way that young actresses do: by co-starring in a giant tentpole with Tom Cruise ('Horizons'), leading a horror film produced by Guillermo Del Toro ('Mama') and, perhaps, being cast in a major biopic. Chastain is attached to star as Princess Diana in 'Caught in Flight,' a sure-to-be controversial film about Diana's long-time relationship with Dr. Hasnat Kahn, "the love of her life." German director Oliver Hirschbiegel ('Downfall,' 'The Invasion') will direct, with the film already looking at shooting locations. Considering even Anne Thompson, who broke this news from the American Film Market, adds the caveat that many films pitched during the buying frenzy in California never happen, write this one down in pencil just to be safe. [indieWIRE/Thompson on Hollywood] The list of young(ish) men who might play John McClane's son in 'A Good Day to Die Hard': Liam Hemsworth, Aaron Paul, James Badge Dale, D.J. Cotrona. Per THR, Hemsworth is in the lead, because that dude doesn't have enough franchises on his docket. [Deadline] More possible casting! Tom Hiddleston and Benjamin Walker are reading for 'Winter's Tale,' a reincarnation period piece that writer/director Akiva Goldsman ('A Beautiful Mind,' 'I Am Legend') is trying to set up. Russell Crowe is "loosely attached" to play the villain. [THR] And more! Ezra Miller ('We Need to Talk About Kevin') and Alden Eherenreich ('Tetro') are testing to play Tetsuo in 'Akira.' [THR] Wondering why there is precious little buzz surrounding 'The Iron Lady'? Because The Weinstein Company hasn't revved up its "Meryl Streep for Oscar!" engines just yet; TWC announced on Sunday that 'The Iron Lady' will now get release on Dec. 30. It was originally scheduled for early December. [@WeinsteinFilms] News! "I'd make anything with Eddie [Murphy]," says Brett Ratner. OK, then. [TheWrap] [Photo: Getty] Follow Moviefone on Twitter Like Moviefone on Facebook RELATED

Past the boards

'Carnage''The Ides of March''A Harmful Method'This year's bumper crop of plays-switched-films sheds light around the varied transposition tactics open to the adapter, while ongoing an appreciation affair between stage and screen dating back the medium's birth.Since future Vital mogul Adolph Zukor made his bones in 1912 by advertising "Famous Gamers in Famous Plays," theater's endless way to obtain tight plots continues to be catnip to moviemakers.With time they have examined the limitations of the items "openingInch a play might mean.Nowadays "you have to choose the grand gesture, you have to be bold," states John Logan, adapter of 2009's "Sweeney Todd" which year's "Coriolanus.""You cannot just turn your camera to the set. That's just an action of reportage, a piece of nonfiction. To inform a tale cinematically, you need to shake some misconception, that they hopes to resurrect later on you need to consider it as a filmmaker."Comparatively little trembling up, but lots of cinema savvy, entered Yasmina Reza's "Carnage" which, aside from an outside prologue and coda, basically limits itself towards the same urban apartment as with her Tony-winning "God of Carnage."The piece's stage oneness was a part of what attracted helmer Roman Polanski, Reza thinks. "The play unravels in 'real time,' with no begin time, with no 'fade to blacks' the figures appear and disappear without our really departing them. Roman absolutely desired to maintain this principle."Furthermore, once they sitting lower to create the script "the issue of 'opening' the play would be a non-problem," she states. "Theater provides the spectator a horizontal method of space and time. Cinema opens that as much as multiple angles. It enables us to determine two moments happening simultaneously,Inch using the resulting "elevated feeling of closeness" adding an additional motion picture dimension.Extra size of plot, character and theme emerged when George Clooney and Grant Heslov switched Love Willimon's "Farragut North" into "The Ides of March." Willimon's script version found the "Night, and Best Of LuckInch team's attention as the pair were focusing on a political story that belongs to them.The projects meshed, Heslov states, but "i was thinking about carrying out a morality have fun with some thriller elements into it, and also the play is much more 'inside' than that.""Love had produced these beautiful figures whom we loved, all very problematic the quantity of change Stephen (the political operative performed by Ryan Gosling) experiences is extremely small, as well as on stage everything is effective.InchThey maintained "huge portions" from the stage dialogue, but "we felt that for film, the stakes must be greater. What interested us was, at what cost? The amount of your soul are you prepared to sell to be able to win?"Ryan's character does something wretched. But ultimately does the best person, the very best guy, get nominated? I do not know basically possess the response to that. But when it will get people thinking and speaking, this is a positive thing."Thought and talk would be the stock in trade of Christopher Hampton's "A Harmful Method," modified for David Cronenberg from Hampton's 2003 play "The Speaking Cure," that was itself according to an authentic 1997 script. (The second dedicated to Sabina Spielrein, famous patient and then friend of Dr. Carl Jung, whereas both play and film target the conflict between Jung and Sigmund Freud, with Sabina caught within the crossfire.)Now, Hampton states, "you receive a more vivid impression from the relationship between Jung and Sabina. I simply think we could extend it over more moments. And whereas we reduce a few of the other locations from the play, we really extended or broadened the Freud sequences. Individuals moments are extremely entertaining, I believe, even though they are rather vocally dense."The extent that theatrical verbosity is participated is frequently dependent on directorial taste, Hampton states. While "Harmful Liaisons" helmer Stephen Frears "will get very nervous if your scene is more than a webpage,Inch Cronenberg "was very relaxed about these lengthy dialogue moments. He was very obvious regarding where he was comfortable simply to sit watching the scene develop, and where he felt it might assistance to acquire some outdoors, so to speak."No play this season loved more outdoors than Shakespeare's "Coriolanus," pared lower by Logan and helmer-star Rob Fiennes to simply over two hrs, and occur a contemporary context -- think civil war within the Balkans -- where political protests go viral on mobile phones, and handheld desert fight footage is broadcast as network news: Ye Olde Hurt Locker."The cinema landscape for Shakespeare has become very elastic," Logan states. "It may encompass surrealism and abstraction like Julie Taymor's 'Tempest,' as well as absolute literalism like Kenneth Branagh's 'Hamlet.' Both of them are legitimate storytelling methods."Like Heslov and Clooney, Logan and Fiennes introduced laser-like focus on their central character's mental journey, from "this superpatriot, tormented, Norman Bates/mother-obsessed neurotic, to someone prepared to destroy the town that formed him.""Aspects of the play that did not deal directly with Coriolanus' journey were the first one to go," Logan reviews. "Ruminations around the character from the military and society grew to become for all of us not as essential as telling the storyline of the driven central character."His two cinema adaptations up to now loved different levels of latitude." 'Sweeney Todd' is built around music. Everything we did needed to slot and refract from Sondheim's great, great score," Logan states. "Whereas with 'Coriolanus,' I felt the liberty to use and muck around using the guts from the engine."And just how might his lengthy-dead playwright react? "During my office I've got a bust of Shakespeare, even though I done 'Coriolanus' I put a blindfold around it. So when I finally required them back, he did not look horrified, he looked OK. I possibly could still look him within the eye with respect."Obviously, the Bard most likely had not yet seen the ultimate cut.EYE Around The Academy awards: BEST PICTURE PREVIEWReading the voters' minds Spinning history to match the requirements of drama Veterans in action Past the boardsAWARDS SEASON CALENDARNovember December The month of january Feb Contact the range newsroom at news@variety.com